Wednesday, February 25, 2015

Rebel Souls: Walt Whitman and America's First Bohemians by Justin Martin

Ever heard of Pfaff's Restaurant and Lager Beer Saloon? I had not before reading Rebel Souls: Walt Whitman and America's First Bohemians by Justin Martin. When we visited manhattan, we may have passed right by the historic saloon's basement location on Broadway without knowing. Pfaff's (with a silent P) is where a literary circle met nightly in the late 1850s and early 1860s. Most of the authors, actors, and painters who hung out at Pfaff's have been forgotten, but they epitomize figures of tragic starving artists. Most died young with only one or two moments of fame, but they were joined by poet Walt Whitman, who became a primary character in the story of American literature.

Roughly half of Rebel Souls is about the time the circle met in the basement around a big table ruled by Henry Clapp, Jr., the King of Bohemia, a former temperance advocate turned whisky drinker and literary magazine editor. About a quarter to a third of the book focuses on Whitman. The second half of the book recounts the lives of circle after they ventured away, some participating in the Civil War.

Among those forgotten soon after their deaths:

  • Fitz Hugh Ludlow, who wrote The Hasheesh Eater, which detailed his college experiments with drugs, and who later accompanied painter Albert Bierstadt on a western painting expedition. (Bierstadt stole Ludlow's wife.)
  • Ada Clare, an actress and unwed mother who also wrote poetry and essays for Clapp's Saturday Press magazine.
  • Fitz-James O'Brien, a journalist and cartoonist who died a lingering death after a battle injury as a Union soldier.
  • Adah Isacs Menken, another actress, who seems to have foreshadowed Marilyn Monroe by a century.
Late on the scene were Artemus Ward, who essentially became America's first stand-up comic, and Edwin Booth, the Shakespearean actor whose brother assassinated the president.

Rebel Souls is rich with biographical profiles and historical incidents and will please readers interested in 19th century America. It may also connect with people who lived through the 1960s.


Martin, Justin. Rebel Souls: Walt Whitman and America's First Bohemians. Da Capo Press, 2014. 339p. ISBN 9780306822261.

Monday, February 23, 2015

The Latehomecomer: An Hmong Family Memoir by Kai Kalia Yang

I love when Laura introduces me to a good book. We have had books as a part of our relationship for as long as she has had eyes and ears. We started with my reading to her from The Real Mother Goose just days after she was born. Pat the Bunny, Goodnight Moon, and Meet Peter Rabbit followed. Advance the time machine 26 years, and she texts to me that I would enjoy The Latehomecomer: An Hmong Family Memoir by Kai Kalia Yang. She is right, of course. She knows her dad.

Laura probably came upon the story because she lives in Minneapolis, and there are many of the Hmong in the Twin Cities area. Among them are the Yangs who came, as did many other Hmong, via refugee camps in Thailand in the 1980s. The author was born in one of those camps, Ban Vinai, and was only six years when the family was transferred first to an orientation camp and then flew to Minnesota. Fear of the journey and new places, as well as the wonder of modern America, impressed themselves on her.

The Latehomecomer is as much about Yang's paternal grandmother, parents, and sister Dawb as about Yang herself and is truly a family memoir, as she tells what she has been able to learn about her maternal grandparents whom she never met. In the closing chapters, which recount her grandmother's final months and three-day funeral, she is even attentive to the reactions of her uncles and aunts. It is a remarkably close family thanks to the grandmother who held them together through the Vietnam War, the subsequent genocide, refugee camps, and the move to America (which she initially resisted.)

Published by a small nonprofit press with grant monies, The Latehomecomer has succeeded in getting into nearly 800 libraries. Even if your library does not have a copy, it should be able to get one easily. A few libraries even have it as an audiobook. I am pleased for the first time author who works with immigrants needing writing and translating. She has also made a film about Hmong Americans. I hope we hear more from her.

Yang, Kao Kalia. The Latehomecomer: An Hmong Family Memoir. Coffee House Press, 2008. 277p. ISBN 9781566892087.


Friday, February 20, 2015

Hummingbirds: My Winter Guests by Arnette Heidcamp

I have been at the Thomas Ford Memorial Library for over twenty years and weeded/inventoried the nature books several times. So I must have held Hummingbirds: My Winter Guests by Arnette Heidcamp several times before I plucked it from the shelf early in February. I did not recognize it. I wondered why I had not read it yet. I checked it out.

Over the years, I have read several bird rescue books, including The Bluebird Effect by Julie Zickefoose and Corvus: A Life with Birds by Esther Woolfson. I am always charmed and fascinated by stories in which caring people nurse injured birds back to health, whether for returning to the wild or for adoption into a human households when release is not possible. These stories usually have everything you want in good stories: tragedy, comedy, and unforgettable character (usually of the avian kind).

In her third hummingbird book, Heidcamp is the bird rescuer. She is known in her New York community and into New England for her unique calling and recalls that various members of the local police had started calls to her asking if she were "Hummingbird 911." In Hummingbirds: My Winter Guests, she takes four hummers (two ruby-throats and two rufous) into her sunroom for the duration of a winter. The little birds may be cute, but they do not get along.

Heidcamp's book is nearly 20 years old at this point, and few libraries still have it, but it does not seem dated. The color photos are remarkable, freezing the energetic birds hovering over flowers and feeders, showing their brilliant feathers, and documenting their previously unobserved interactions. It is just the kind of book a bird watcher loves.

Heidcamp, Arnette. Hummingbirds: My Winter Guests. Crown Publishers, 1997. 204p. ISBN 0517708841.

Wednesday, February 18, 2015

Good Ol' Freda, a documentary by Ryan White

As Freda Kelly says near the beginning of the documentary Good Ol' Freda, she has a good secretarial job in Liverpool now, but it is not as exciting as the one she had from 1962-1972. She was personal secretary to the Beatles, starting at age 17, chosen by Brian Epstein from the scores of young working women who frequented lunchtime concerts at the Cavern. She accepted without consulting her dad, who definitely did not approve of the motley lads, but she won him over to her side. She had a knack for cross-generational communications, becoming part of the glue between the Fab Four and many of their own parents. Everyone seemed to love Freda.

Kelly took her job in the months just before the Beatles became famous. Pete Best was still the drummer and the band had only a local following. She helped with the fan club and took over when its founder lost interest. Unknowing of what was about to occur, she changed the fan club address to that of her home. A few months later all of the postmen knew her house.

Kelly was interviewed often as the Beatles secretary and her letters in the fan newsletter were widely read. It was once rumored that she had married Paul McCartney, but she was mostly forgotten by the public after the Beatles split. She kept out of the limelight, especially by staying in Liverpool when the Beatles incorporated moved to London. When she disassembled the Beatles Liverpool office, she gave away many of its artifacts to fans, keeping little herself.

Viewers at our film discussion seemed charmed by her down-to-earth manner. Talk after the film veered to personal memories of Beatles days. It was fun to hear three people remember when they attended Beatles concerts at the Chicago Amphitheatre or at Comisky Park. Everyone seemed glad to have come to our program.

Monday, February 16, 2015

A Fort of Nine Towers: An Afghan Family Story by Qais Akbar Omar

In the U.S., we have seen much of what has happened in Afghanistan since 2001. Even before that Afghanistan was often front page news, but our attention was sporadic. Our country boycotted the 1980 Summer Olympics after the Soviet Union invaded Afghanistan in late 1979. We noted when the warlords of the Mujahedin pushed the Soviets out and were later themselves displaced by the Taliban. We decried human rights abuses and mourned the Taliban's destruction of the ancient Buddha statues in Banyan. But worrying about whether all our computers would crash on January 1, 2000 and about the value of our tech stocks, we lost track of Afghani news until we invaded the country in the aftermath of the September 11, 2001 hijackings of American commercial aircraft by Al-Qaeda terrorists.

Qais Akbar Omar and his family never for a moment forgot what was happening in Afghanistan as they had to live every dangerous day. Omar recounts their experiences from 1991 to 2001 in A Fort of Nine Towers: An Afghan Family Story.

Omar was only nine years old in 1991 when the Mujahedin no longer had a common Soviet enemy to unify its ranks. Various warlords representing different ethnic groups began carving up the country and its capital Kabul, and factions began firing rockets in support of street fighting. Omar's moderately well-to-do family was forced out of the house that his grandfather had built on a hill and accept the hospitality of his father's carpet business partner in another neighborhood. Front lines of battle shifted around the city day by day for years. Omar and his father listened the BBC news in the morning to plan their daily errands.

A Fort of Nine Towers is a memoir filled with great characters, dangerous encounters, and success stories. I think it could make a riveting television mini-series. If done right, American and European viewers might get a better understanding of what happens in many countries when people are pawns to militarized governments that rule without their permission. Of course, reading will always more fulfilling than viewing a TV mini-series.

A Fort of Nine Towers has disturbing details that might turn away sensitive readers, but it is their loss if they can not overcome their reluctance to face reality. In the end, Omar's story offers both hope and caution for the future.

Omar, Qais Akbar. A Fort of Nine Towers: An Afghan Family Story. Farrar, Straus and Giroux, 2013. 396p. ISBN 9780374157647.


Friday, February 13, 2015

The Iridescence of Birds: A Book about Henri Matisse by Patricia MacLachlan, pictures by Hadley Hooper

In the spring of 2014, we visited the Minneapolis Institute of Arts and saw an exhibit of drawings and paper cuttings by Henri Matisse. At the end of the exhibit were couches, comfy chairs, and a collection of resource materials, including children's books about Matisse. I liked seeing how the illustrators of the children's books incorporated many of Matisse's designs. Now Bonnie has brought home a new children's book about Matisse with the wonderful title The Iridescence of Birds: A Book about Henri Matisse by Patricia MacLachlan, pictures by Hadley Hooper.

The Iridescence of Birds tells the story of Matisse growing up in a dreary, gray mill town in northern France. The first two-page spread of the book shows a boy walking across a street with warm yellow in two windows being the only relief from the drab blue-gray. As readers turn the pages, the illustrator introduces more and more color, and readers learn about Matisse's mother encouraging him to paint and notice color in fruits, flowers, and locally woven fabrics. The boy also begins to raise pigeons and notices how their colors change in the sunlight.

You do not have to be a child to read The Iridescence of Birds. It is a colorful, joy-filled tribute to a man who retained his youthful wonder of nature. Enjoy the art and the story.

MacLachlan, Patricia. The Iridescence of Birds: A Book about Henri Matisse. Roaring Brook Press, 2014. ISBN 9781596439481.

Wednesday, February 11, 2015

The Keeper's Companion by John Mock

The Keeper's Companion sounds like the title of a book, either a novel or a collection of poetry. Instead, it is the name of the second album by musician and composer John Mock, who plays guitar, mandolin, concertina, and tin whistle in various songs on the album. While all pieces are instrumental, they are not without literary connections. In the insert to the compact disc, Mock tells a story for each of the twelve compositions. Many of the titles evoke coastal life, including "The New Chatham Hornpipe," "For Those Lost at Sea," and "The Sailor at the Fair." At just a glance, I was charmed.

I discovered that The Keeper's Companion is great music for driving. It's Celtic-like melodies are mood-altering, a positive prescription for leaving a hard day at work. Mock has a small group of players accompanying him on most of the pieces. At times, I think of the Chieftains' Irish tunes and at other times John Williams' movie music. There is also a nostalgic sound that reminds me of Ken Burns' historical documentaries.

I received the CD from Artists of Note, which books concerts, a suggestion that Mock is available for hire. I looked on Mock's website to see if he has played in our area, and I only see an appearance at the Old Town School of Folk Music in Illinois. There were a few libraries in other states (mostly to the east), and most of his venues sound small (lighthouses, cafes, and museums), but he has also played with the Nashville Philharmonic Orchestra. I am sure many communities would love to hear his beautiful music.

Monday, February 09, 2015

Welcome to Subirdia: Sharing Our Neighborhoods with Wrens, Robins, Woodpeckers, and Other Wildlife by John M. Marzluff

As soon as I saw a review of Welcome to Subirdia: Sharing Our Neighborhoods with Wrens, Robins, Woodpeckers, and Other Wildlife by John M. Marzluff in the Chicago Tribune in November, I knew I wanted to read it. I had noticed in the past couple of years, as I became more dedicated to bird watching, that we have a great number of bird species in our neighborhoods and parks. I saw goldfinches and cedar waxwings in our yard for the first time in 2014. It probably helps that Bonnie and I are adding bird-friendly plants to our yard annually. Still, I assumed that birds are more populous in the woods, prairies, and other environments that are more natural than the suburbs.

According to the author, many birds actually do quite well in Subirdia, as there is a wealth of food and shelter to be found. While plants that provide seeds, berries, and nectar draw some birds, others come to feast at bird feeders and water features. The diversity of plants also attract insects on which birds feed. If species can find safe nesting locations, the breeding is great for some, but not all birds in Subirdia.

There are concerns. As cities and their suburbs become more alike, they support the same species and some diversity is lost. Marzluff points out five birds that are found in abundance in many metropolitan area worldwide: rock pigeons, house sparrows, European starlings, mallards, and Canada geese. They may displace some native species, but the consequences are not always that simple.

The latter part of Welcome to Subirdia is about what individuals and communities can do to promote bird and other wildlife diversity. I am thinking of replacing even more of the lawn with tall grasses, thistles, and shrubs. I am also eager for the spring migration to see what other birds might come through our suburb.

Marzluff, John M. Welcome to Subirdia: Sharing Our Neighborhoods with Wrens, Robins, Woodpeckers, and Other Wildlife. Yale University Press, 2014. 303p. ISBN 9780300197075.

Friday, February 06, 2015

Animal ABC by Susi Martin

There are many beautiful ABC books for children. A new title that I like is Animal ABC by Susi Martin. Every letter, except X, and Y, features at least two animals, and most have three or more. Among these are lots of birds. Many are birds you might expect, such as duck, eagle, and flamingo. Ibis and umbrella bird might not have been predicted. "Q is for quetzal, quelea, quail" is all birds for the less-common letter.

Animal ABC has a good variety species from across the animal kingdom. Besides the many mammals, the iguana and viper represent reptiles, frogs and salamander for amphibians, mantas and grasshopper for the insects, and piranha and tuna for fish. Can you guess what a zander is?

The most beautiful page is probably the collection of butterflies for the letter B. The most active illustration is the platypus which appears about to eat a frog.

Who to credit for the illustrations is not clear. Even the writer's name is missing from the cover and title page and found only in the CIP statement. Is the author also the illustrator? It probably will not matter to a child, but as a librarian, I'd like to know.

I can well imagine sitting with a child learning her ABCs with Animal ABC, which will fit well in public or home library.

Martin, Susi. Animal ABC. Firefly Books, 2014. 32p. ISBN 9781770854567.

Wednesday, February 04, 2015

Ten Strings at Friday at the Ford

Violinist Sherri Deroche and guitarist Jason Deroche, a duo who call themselves Ten Strings, drew an overflow crowd on Friday to our Friday at the Ford concert at the Thomas Ford Memorial Library. Hailing from La Grange, Illinois (a neighboring suburb), they attracted family and friends, fans of classical music, and many of our concert series regulars, who remember when Jason played solo guitar for us in November 2011. He amazed us then. He and Sherri equaled our high expectations in 2015.

Ten Strings played from many periods and tradition in their approximately 80 minute concert. They started with "Spanish Dance, no. 5" by Enrique Granados and "Melodie from Orfeo ed Euridice" by Christoph Willibald Gluck. If you know much about classical music, you will realize that neither of those pieces were scored for violin and guitar. According to Jason, there is relatively little original music for the two instruments together, so they make their own arrangements.

After beautiful duo pieces based on music by Bach, Jason played solos of "Cordoba" by Isaac Albeniz and "Recuerdos de la Alhambra" by Francisco Tarrega. Sherri rejoined Jason then for a Latin grouping featuring pieces by South American composers.

I was then pleased by their lovely interpretation of "Here, There, and Everywhere" by John Lennon and Paul McCartney. A surprise to me was that some Baby Boomers in the audience did not recognize the song's origin. I guess it is a lesser known Beatles song.

They played "Cantilena,"a piece originally written for guitar and flute by Tom Febonio. The composer is living, unlike most of the night's composers, and Jason has spoken with him.

Ten Strings finished the evening with music by Niccolo Pagannini that was actually written for violin and guitar. These were probably my favorites of the night, for the the interplay between instruments was exciting. I heard many compliments as the audience left and received numerous thanks for booking the duo to play at the library.

Our next concert is Friday, March 13 when folksingers/songwriters Dana and Susan Robinson return to our library. The concerts are free thanks to the generous support of the Western Springs Library Friends.

Monday, February 02, 2015

Ghost Walls: The Story of a 17th Century Colonial Homestead by Sally M. Walker

Having enjoyed Written in Bone: Buried Lives of Jamestown and Colonial Maryland by Sally M. Walker in summer, I was excited in fall when I found a review of a forthcoming book by the author in Booklist. Seeing that her new book would also be about a site that some of my ancestors called home, I resolved to read Ghost Walls: The Story of a 17th Century Colonial Homestead. I made a copy of the review and kept it on my desk until the title appeared in our library system catalog.

Walker's first book on Colonial America dealt with forensic archeology and recounted stories that the bones of colonists told about how they lived and died. Her attention to stories remains the same in Ghost Walls, in which she describes a decades-long archaeological investigation focused on an important colonial building, the house built by John Lewger outside St. Mary's City in 1637. Instead of bones, the archaeologists seek architectural clues in the colors of dirt, as well as in artifacts and pollen counts.

Being the provincial secretary of the St. Mary's colony, Lewger built its largest home on a property he named St. John's. Its parlor served not only as his family's living area and bedroom, but also as the assembly room and courtroom for the colony. Before the 17th century ended, the house was sold several times and remodeled. It was finally an inn before being abandoned around 1695. Walker tells stories about each owner and family.

Walker also tells a contemporary story along with the history, recounting the effort from 1962 to 2008 to preserve the site and build a museum. Aimed at late elementary and middle school readers, Ghost Walls is a compact and informative tribute that will interest any one who enjoys good period history.

Walker, Sally M. Ghost Walls: The Story of a 17th Century Colonial Homestead. Carolrhoda Books, 2014. 136p. ISBN 9780761354086.

Friday, January 30, 2015

Mearra, Selkie from the Sea by Linda Marie Smith

Chicago singer/songwriter Linda Marie Smith seems to think big. When she writes songs, she write song cycles. On her 2006 album Artemisia, she performed 14 songs that she wrote for a show about the 17th century Italian painter Artemisia Gentileschi, a rare woman among the men of Renaissance art. Her show was filled with music and images from the paintings by the artist. We had the show at our library. It was mesmerizing.

Now she has a new album and show, which we will present at the Thomas Ford Memorial Library in May. I have been listening to the album Mearra, Selkie from the Sea as we prepare to write our library newsletter and plan other publicity. There are 11 beautiful and varied songs about a magical seal who longs for love and life as a human. The show promises to have a mixture of live music, lights, and animation. I am sure it will be a special evening, if the wonderfully melodic songs of the album are evidence.

Smith says that she was influence by the music of Carole King and Carly Simon, and she has been compared with Lucinda Williams, Sarah McLachlan, and Natalie Merchant. She has won a Billboard songwriting award and recognition from the Illinois Arts Council and National Endowment for the Arts. She teaches at Chicago's Old Town School of Folk Music.

I am amazed that we can offer music of this caliber at the library. There is so much talent in the Chicago area, and Smith is on a roll.

Smith, Linda Marie. Mearra, Selkie from the Sea. 2014.

Wednesday, January 28, 2015

All the Stories of Muriel Spark

In late December, I noticed on the old librarian's desk that we use for displays several complete-short-stories-of-an-author-in-one-volume books. Several tempted me, but I chose All the Stories of Muriel Spark, having had a personal Muriel Spark reading phase between 2004 and 2005. I had then intended to read much more of her work, but other books and authors were also calling to me. I read Spark's autobiography Curriculum Vitae in 2005 and the wickedly funny The Abbess of Crewe in 2008, but I had not really gotten back on track to reading the whole oeuvre. Reading all of the short stories was an important step toward my goal, so I borrowed the volume.

It took me nearly a month to finish, having other reading commitments as well as other reading opportunities. Spacing the reading of the 41 stories has let Spark's writing style and wit sink in deeper than if I had whipped quickly through them. It also seemed more polite to take time. It took the author most of her writing career to write the collection. I could surely give her a month of my attention.

The month was time well spent. All the Stories of Muriel Spark is an entertaining collection with great variety. I especially like the stories set in Africa drawn from Spark's experience in Southern Rhodesia in the late 1930s and early 1940s. These include the story that she wrote to get prize money "The Seraph and the Zambesi," which launched her career in fiction, and my favorite "The Go-Away Bird." The latter, the longest story in the book at 52 pages, tells the tragic story of Daphne du Toit, an orphaned daughter of Afrikaner and British parents, who fails to escape a fate that the reader foresees. One of Spark's great talents was to tell readers how a story will end in her opening sentences and charm into reading every word.

All the Stories of Muriel Spark is a great companion to Curriculum Vitae, the autobiography mentioned above, as she wrote stories that reflect every stage of her life. The fun is then in trying to decide how much of her fiction was about her long and unconventional life. Ask for a renewal if the book is due before you finish.

Spark, Muriel. All the Stories of Muriel Spark. New Directions, 2001. 398p. ISBN 081121494X.

Monday, January 26, 2015

The Prime of Miss Jean Brodie by Muriel Spark

When I borrowed The Prime of Miss Jean Brodie by Muriel Spark to read for a book discussion, I thought that I had not read it, despite having read a lot of Spark's books between 2004 and 2005. As I read and got halfway through the book, my memory had not changed, but I did go to my reading spreadsheet to remind myself what Spark's titles I had read. I discovered that I had read this book about the flamboyant teacher at a private girls school in 1930s Edinburgh. To the end, I still had no recall, which is strange because I think now that The Prime of Miss Jean Brodie is such a strikingly memorable book.

This short novel about Miss Brodie and her girls proved to be a great choice for a book discussion. We shared a great variety of interpretations and feelings about the teacher who was determined to shape the lives of her chosen girls. No one considered her simply well-meaning, but the degrees to which we judged her self-centered and sinister differed. She is a complex character, as is her student Susan Stranger (Spark was known for picking indicative surnames).

An interesting part of the discussion was comparing the book to the 1969 movie, which won an Oscar for Maggie Smith in 1970. The six girls were reduced to four, some of Miss Brodie's characteristics were exaggerated, and key facts were changed. If you have only seen the movie, you will be surprised how different the book is.

If you have not read any works by Muriel Spark, I recommend starting with a different book, either Memento Mori, The Girls of Slender Means, or one of the short story collections. I will review her short stories in my next post. As good as The Prime of Miss Jean Brodie is, many readers will find more to like in other titles.

Spark, Muriel. The Prime of Miss Jean Brodie. J. B. Lippincott, 1962. 187p.



Saturday, January 24, 2015

What We Lost by Ben Bedford

I've said it before. A benefit of running a concert series is performers or their booking agents send us music CDs. It does not seem to matter that we have only five concerts per year and cannot hire the majority of the acts. Perhaps we get more CDs because the acts have to impress us.

I have been listening to a very well-produced album by singer/songwriter/guitarist Ben Bedford called What We Lost. I won't use the work "slick" in my assessment because that word can have a negative tone. There is nothing to fault in the making of this CD recorded in Nashville. Bedford and his producer have chosen an excellent variety of songs that flow together well. The brightest, possibly most memorable is "Cahokia," an anthem in celebration of a small Illinois town. There was a time it could have been a top 40 hit. It has sticking ability.

Images of the Midwest run through many of the songs. There are also Bible themes, especially in the songs "John the Baptist" and "Cloudless." Like many singers in the folk or country tradition, Bedford evokes travel and getting back to people and places that he loves. There is even current events. Close listeners will find much embedded in his stories. What We Lost is worth seeking.

Bedford, Ben. What We Lost. Waterbug, 2012.

Wednesday, January 21, 2015

The Sweetness at the Bottom of the Pie by Alan Bradley

I recently saw a review of the seventh Flavia De Luce mystery by Alan Bradley, which I later found Bonnie reading (the book not the review) at home, just as I came home with book one The Sweetness at the Bottom of the Pie. Bonnie was surprised I had not read it. She has read all the books in Bradley's mystery series and encouraged me to get started. I did that night.

With heightened expectations I opened the book to the first chapter to discover eleven-year-old Flavia describing how dark it was in the closet where her two older sisters had tied her and presumably left her to die of starvation. Knowing escape tricks, she was already plotting her revenge, a plan involving her great knowledge of chemistry. I could see right away that Flavia was not a typical child.

In The Sweetness at the Bottom of the Pie, set in 1950s rural England, Flavia vividly recounts how she solves the mystery of why a tall red-headed man died in her family's cucumber patch. Her efforts required a lot of bicycle riding, reading stacks of old newspapers in the village library (housed in an outbuilding of an old garage), and interviewing elderly neighbors. She also meets a police inspector who is willing to bend a few rules.

With an eleven-year-old sleuth, you might think The Sweetness at the Bottom of the Pie would be a juvenile title, but it is marketed to adults and shelved with adult mysteries in public libraries. I do not see any reason a good younger reader willing to take on a few Latin phrases and quotes from Shakespeare could not tackle it. Flavia's spunky attitude and the fact that adults are trying to hog the book might make it even more attractive to youth.

Bradley, Alan. The Sweetness at the Bottom of the Pie. Delacorte Press, 2009. 373p. ISBN 9780385342308.

Monday, January 19, 2015

Law of the Jungle: The $19 Billion Legal Battle Over Oil in the Rain Forest and the Lawyer Who'd Stop at Nothing to Win by Paul M. Barrett

In the middle of Law of the Jungle: The $19 Billion Legal Battle Over Oil in the Rain Forest and the Lawyer Who'd Stop at Nothing to Win by Paul M. Barrett, I was struck by obvious surface similarities between the book about a series of environmental lawsuits and Bleak House by Charles Dickens. I suspect other readers have made the same observation. Both cases stretched over two decades and enriched many lawyers. Late in his book Barrett even calls the case Dickensian.

The set of cases that began with Maria Aguinda v. Texaco Inc. and may have ended with Chevron Corp. v. Steven R. Donziger is a fascinating legal battle, and Barrett devotes more text to the legal issues than Charles Dickens did with Jarndyce v. Jarndyce. Instead, Dickens had sympathetic characters to develop in his complicated story line. Barrett did not have that option. Almost everyone in Law of the Jungle is guilty of something. The only people for whom the readers can express sympathy are the rarely considered poor Ecuadorian peasants for whom the legal battle was initiated. Corporations, politicians, and lawyers make and lose huge sums of money, while the peasants get no relief from the soil, air, and water pollution of their rain forest caused by the oil industry.

I started Law of the Jungle because it was recommended to me by a reader to whom I have often suggested books. I was leery of it, for it sounded so depressing, which it is, but the story is gripping and important. We should know what it going on in our world. There is a big fight over all the world's natural resources. Barrett tells you how it is being fought and the possible consequences.

Barrett, Paul M. Law of the Jungle: The $19 Billion Legal Battle Over Oil in the Rain Forest and the Lawyer Who'd Stop at Nothing to Win. Crown Publishers, 2014. 290p. ISBN 9780770436346.

Friday, January 16, 2015

The Lunchbox, a Film by Ritesh Batra

Friday night January 9, 2015 was a historic occasion for the Thomas Ford Memorial Library, as we showed our first film with our newly-installed projection and sound system. While that is not news that made the Chicago Tribune, it was a big deal for us. Our film fans will have a better viewing experience, and our staff will be saved many set-up hours each year.

I was grateful for the seven people who braved the bitter cold to come see and discuss The Lunchbox, a very fitting film for our upgrade debut. We specialize in showing independent and foreign films. The Lunchbox is a critically-acclaimed 2013 film from India set in Mumbai where a very efficient delivery system drops many thousands of lunch boxes on desks in offices daily. Many of these lunches are lovingly made by wives or other family members and carefully packed in stacking tins zipped into thermal cases. It is unlike anything we see in the United States.

Though the Harvard Business School has studied and held up the Mumbai lunchbox deliveries as a model worth emulation, in The Lunchbox, the unthinkable has happened. A lunch has been delivered to the wrong person. The ensuing situation connects two lonely people of different generations. Will a romance develop? Is there just more heartache ahead? In his first film, director Ritesh Batra builds dramatic tension as the young woman and older man deal with difficulties of their lives.

It was all thumbs up at the film discussion and the discussion was lively. It was worth bundling up and coming out in the cold to see.

The Lunchbox. Sony Pictures Classics, 2014. 105 minutes.


Wednesday, January 14, 2015

Salt: A World History by Mark Kurlansky

When I see articles about nonfiction readers' advisory or attend a workshop on that topic, I invariably notice a plug for the now considered-classic title Salt: A World History by Mark Kurlansky, published in 2002. Even librarians who mostly tout fiction seem to say they enjoyed it. It has been on my wishlist for years, and I finally borrowed it as an audio download in the final days of 2014. Was it really going to be as good as everyone said?

One positive for the audiobook is that it is read by the very talented Scott Brick. I have listened to numerous books by him. He can put life into a telephone directory. Luckily for Brick and for listeners, Kurlansky has filled his wide-ranging book with history from seemingly every place and period, noting many interesting facts, making intelligent observations, and providing recipes for food items that most people just buy at the store. Can you imagine adding 12 and a half ounces of salt to 25 pounds of sturgeon eggs to make your own caviar? Much of the text is entertaining, and the idea that salt has played a large role in agriculture, industry, commerce, cuisine, diplomacy, and empire-building is fascinating.

Still, I found the book at times more a historical litany than a plot-driven story. I considered dropping out at several points, but then I would be re-engaged by some country, person, or issue in which I have continuing interest.

I am glad to have stuck with Salt: A World History as the final chapters are some of the most engaging, including a section on the Morton Salt company of Chicago. Kurlansky addresses our current salt economy at the end. Another good reason staying the course is seeing that l there is a consistent thread through world history - something that is more than salt but revealed by salt.

I am sure that I will be noticing links to the salt trade in history books and in my travels for years.

Kurlansky, Mark. Salt: A World History. Walker and Company, 2002. 484p. ISBN 0802713734.

Audiobook: 14 compact discs. Phoenix Books, 2006. ISBN 1597770973.

Monday, January 12, 2015

Minnesota Days: Our Heritage in Stories, Art, and Photos

When Laura and Luke, who live in Minneapolis, asked what I might like for Christmas, I suggested a book about Minnesota. I have been to the state 10 or 15 times since Laura moved there in 2011 and like the place. So I suggested something about its history, land, and culture. Minnesota Days: Our Heritage in Stories, Art, and Photos covers all three of those topics well.

Minnesota Days is a beautiful book filled with short pieces written by notable Minnesotans illustrated by Minnesota art works and photographs. Readers from any state will recognize some of the authors, including F. Scott Fitzgerald, Sinclair Lewis, Laura Ingalls Wilder, Gordon Parks, and Garrison Keillor. Others journalists, historians, and novelists will be new to non-Minnesotans. Having read this book, I would like to read more by Grace H. Flandrau, Bill Holm, and Jon Hassler.

You can learn much just looking at the pictures, some of which are by famous Minnesotan photographers and artists. They show landscapes, wildlife, people, cities, and cuisine. I particularly want to call your attention to the topical map on page 106, "Minnesota Principle Hot Dishes by Region." Cheese scalloped potatoes, corny burger bake, wild rice casserole, German pork chop casserole, and jiffy tuna hot dish all appeal to me. A wandering tour of "the Land of Sky Blue Water" would be caloric.

If you are not in Minnesota, your library may not have Minnesota Days. Ask for an interlibrary loan. I am lucky to have my own copy. Thanks you, Laura and Luke.

Minnesota Days: Our Heritage in Stories, Art, and Photos edited by Michael Dregni. Voyageur Press, 1999. 160p. ISBN 0896584216.