Wednesday, May 02, 2012

Andy Young at Friday at the Ford

What is gypsy jazz? Chicago musician Andy Young answered that question for about sixty listeners at Thomas Ford Memorial Library's March 9 Friday at the Ford concert. Gypsy jazz or gypsy swing is music that rose in clubs in 1930s Paris. Director Woody Allen included some pieces in his recent film Midnight in Paris, one of which Young played on hammered dulcimer accompanied by guitarist Al Tauber. Hammered dulcimer is not an instrument usually associated with tunes that may make listeners think of old French films, but Young's interpretations delighted our appreciative audience, including some children awe-struck with the hammering.

We already knew Young for his Celtic music, some of which he performed on the dulcimer, tin whistle, and Irish flute. Andy and Al kept our feet tapping with an abundance of reels, some of which were nameless. It was good pre-St. Patrick's Day listening.

Since the concert, I have been listening to his latest CD L'Accroche-Pieds, which mixes Celtic tunes and gypsy jazz in a measure similar to the concert. The CD features a number of other musicians and even includes the sound of Irish step dancing. It is mostly cheerful music good for home or mobile listening. You can learn more about Andy Young at his website.

Monday, April 30, 2012

On Writing Book Reviews for Booklist

For the past two years, I have been writing book reviews for Booklist, the review journal for public libraries from the America Library Association. Every month or so, I get a package from Adult Books Editor Brad Hooper with one, two, or (once) even three review copies of forthcoming books. Most have been science and nature books aimed at general readers. Early on, I received a series of human-animal interaction books - a man and his pet grizzly kind of books. I also got collections of thoughtful essays on human stewardship (or lack of) of our environment. I enjoyed all of these books immensely.

Then, I started getting books about the seas and oceans. Perhaps there is a boom in this field of publishing. I was not expecting it, but I am starting to feel I could test for some college credit in marine biology. I am sure I can now talk very knowledgeably with my old biology major apartment mate Joe about microorganisms and fisheries. Here is a list the marine-related titles that I have read and reviewed to date:


  • Demon Fish: Travels through the Hidden World of Sharks by Juliet Eilperin
  • Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid by Wendy Williams
  • Sex, Drugs, and Sea Slime: The Ocean's Oddest Creatures and Why They Matter by Ellen Prager
  • Bayshore Summer by Peter Dunne
  • Arctic Summer by Peter Dunne
  • The Great White Bear: A Natural and Unnatural History of the Polar Bear by Kieran Mulvaney
  • Fraser's Penguins: A Journey to the Future of Antarctica by Fen Montaigne
  • Horseshoe Crabs and Velvet Worms by Richard Fortey
  • Overfishing: What Everyone Needs to Know by Ray Hilborn
  • Ocean of Life by Callum Roberts
  • Floating Gold: An Unnatural History of Ambergris by Christopher Kemp
  • Horseshoe Crab: Biology of a Survivor by Anthony D. Fredericks
  • In Pursuit of Giants: One Man's Global Search for the Last of the Great Fish by Matt Rigney


The books at the bottom part of the list are not yet available in stores, but I have gotten to read them already. That is half the fun of being a book reviewer.

I have also found my reviewing has helped at parties. I go to very few, but I actually found myself in a conversation at one about the books of biologist Richard Fortey and was able to say "I've read his forthcoming book." Maybe I will now get more invitations. Everyone wants to know a book reviewer.

Friday, April 27, 2012

Lulu in the Sky: A Daughter of Cambodia Finds Love, Healing, and Double Happiness by Loung Ung

It has been seven years since I read First They Killed My Father and Lucky Child, books in which Loung Ung vividly recounts life and death in the labor camps of the Khmer Rouge in 1970s Cambodia, her escape through Vietnam to Thailand and then to Vermont, and her struggle to assimilate in America. She continues her immigrant story in Lulu in the Sky: A Daughter of Cambodia Finds Love, Healing, and Double Happiness.

"Lulu" was the name Loung used with her school friends in Vermont. She hoped to seem less foreign and more like a regular American girl, which was made difficult by the strict rules enforced by her older brother and sister-in-law with whom she lived. Primary among their rules was "no dating." Her family expected that they would arrange a marriage for Loung to another Cambodian. Never openly defiant, while in college she secretly began a relationship with a tall and handsome American from Cleveland. The development of that relationship over time - a long time - is the central story line of Lulu in the Sky.

Parallel to the love story is Ung's account of her need to find purpose or a calling, which she does first through social work and then by becoming a spokesperson for the international effort to ban the use of land mines. This work allowed her to travel internationally, giving her an opportunity to visit her family still living in and around Phnom Penh. I especially enjoyed her visits with her Chinese grandmother, who would, of course, have been very familiar with the symbol for "double happiness."

Readers can start with Lulu in the Sky, as Ung provides enough detail for them to understand her journey. Those who recoil from stories of brutal oppression may only want to read this new love story, but I recommend most readers start with First They Killed My Father to get the full story of the Cambodian genocide.

Ung, Loung. Lulu in the Sky: A Daughter of Cambodia Finds Love, Healing, and Double Happiness. Harper Perennial, 2012. 330p. ISBN 9780062091918.

Wednesday, April 25, 2012

The Great Northern Express: A Writer's Journey Home by Howard Frank Mosher

I think I like the idea of The Great Northern Express: A Writer's Journey Home by Howard Frank Mosher better than I like the actual book. The problem may be my own expectations more than the author's writing. I am sure some other readers will like the book well enough, and I liked parts of it very much. I enjoyed how Mosher starts the book with a memory of listening to Yankee-Red Sox baseball games with his father and his father's best friend on a car radio in a spot on  mountain where they could get a signal. I appreciate how he told me of his cancer and then said that the disease would not be the focus of the story. I enjoyed all of the parts about his marriage, teaching school, and life in the Northeast Kingdom of Vermont. The story about moving a piano is particularly funny.

What disappointed me about The Great Northern Express were some of the chapters about his three-season driving trip around the U.S. to promote a novel at 100 bookstores. He does warn readers that he uses literary license and folds into the account incidents from previous book tours. So I knew that not everything he was going to say was literally true, but I was not expecting obviously fictional conversations with literary and personal ghosts. Perhaps fans of his fiction will like these fantasies, but I wanted to know more about his actually experiences. I would have liked to have read more about the bookstores and the real people he met.

As The Great Northern Express winds down, it gets really good again. At least, Mosher pleased me by writing about what I wanted him to write at the end.

The best part for me may be the quotes from his friend, the poet James Hayford. That's who I want to read now.

Mosher, Howard Frank. The Great Northern Express: A Writer's Journey Home. Crown Publisahers, 2012. 246p. ISBN 9780307450692.

Monday, April 23, 2012

City of Scoundrels: The Twelve Days of Disaster That Gave Birth to Modern Chicago by Gary Krist

Chicagoans rang in the new year with optimism in 1919. The world war was over, and the influenza epidemic had subsided. The city's industrial infrastructure was expanded, and the mayor was determined the city would develop architect Daniel Burnham's visionary plan for the lakefront and central city. If everyone worked together, the future was bright. 1919, however, proved to be a difficult year, according to Gary Krist in his new history City of Scoundrels: The Twelve Days of Disaster That Gave Birth to Modern Chicago.

Tragic might be a better term than difficult. No one seems to have realized that the end of the war lessened the call for industrial production, and with soldiers returning, the labor force was expanding. During the war, thousands of blacks from the South had come to fill the labor shortage. Racial tension was bound to increase as everyone competed for jobs. Manufactures hoped to keep or reduce wages, while unions demanded raises, as did transportation workers. Chicago already had a history of labor violence. The situation was explosive, literally, as whites began bombing the homes of blacks in the late winter and spring, just as the vote came for the election of mayor.

Mayor William Hale Thompson, the key scoundrel in the story, pursued a political path that increased divisions among the many parties. His story ran in all the daily newspapers, along with headlines about the murder of a child, a terrible airship accidents, the start of Prohibition, race riots, and a transit strike. Later, members of the Chicago White Sox conspired to lose the World Series. Krist weaves the many plots together, focusing much of the book on the hot days of July when the riots tore through the South Side.

As a reader, I am not really sure how Chicago was changed by these events. Corruption, violence, and prejudice were at high levels before and after that year. Perhaps pessimism grew, but Chicago was becoming modern long before 1919. Nonetheless, Krist tells a great story, and I enjoyed learning about the many players in the tragedy, not all of whom were scoundrels. City of Scoundrels is a quick read for anyone interested in American history.

Krist, Gary. City of Scoundrels: The Twelve Days of Disaster That Gave Birth to Modern Chicago. Crown Publishers, 2012. ISBN 9780307454294.

Friday, April 20, 2012

Settled in the Wild: Notes from the Edge of Town by Susan Hand Shetterly

When Susan Hand Shetterly left the city with her family to move into a cabin in rural Maine in 1971, she had some experience with nature. She had always enjoyed a walk in the woods, but she had not yet heard the many sounds of stormy nights, seen predation, or stepped into sucking mud from which there seemed no escape. She recounts her own survival and the plight of wildlife in an increasingly suburbanized coastal community in Settled in the Wild: Notes from the Edge of Town.

Shetterly's notes are short, quick-to-the-point essays about the forces of nature. She tells us about the run of the alewives, the cracking of ice, the paving of an old country road, and the care of injured birds. I particularly enjoyed her tribute to a dead tree that served as home to many birds and insects. While not so spiritual as Annie Dillard, Shetterly still takes us with her into the marshes, woods, and shallow waves offshore to discover something worth preserving. 

Settled in the Wild is a book I'd like to send to friends.

Shetterly, Susan Hand. Settled in the Wild: Notes from the Edge of Town. Algonquin Books of Chapel Hill, 2010. 240 p. ISBN 9781565126183.

Wednesday, April 18, 2012

Dear Mr. Jefferson: Letters from a Nantucket Gardener by Laura Simon

Thomas Jefferson was an avid gardener. For 58 years, even when he was in Europe in service to his country, he kept gardening diaries. In his letters home, he always asked for detailed accounts about the gardens and the harvest of fruits and vegetables. He often commented on the varieties of plants that he found while traveling. He even smuggled seeds out of Italy.

It seems natural that author and gardener Laura Simon feels akin to Jefferson. Every winter she receives dozens of seed catalogs, and wanting to try new varieties in her large Nantucket garden, she orders from many of them. Then she turns her guest room into a greenhouse to start her seeds. Like Jefferson, she keeps annual gardening plans, ledgers and journals. Her actually writing letters to the long deceased Jefferson is not surprising.

In Dear Mr. Jefferson: Letters from a Nantucket Gardener, Simon recounts one gardening year in Nantucket. In the process, she also lovingly comments on all that she has learned from reading Jefferson and visiting Monticello. Published in 1998, it is still a delight to read. Add it to your list.

Simon, Laura. Dear Mr. Jefferson: Letters from a Nantucket Gardener. Crown Publishers, 1998. 224p. ISBN 0609600974.

Monday, April 16, 2012

Worm: The First Digital World War by Mark Bowden

I confess that I have paid little attention to the Malware Wars. It seems that attacks come at fairly regular intervals and the world never ends. I am not alone. As a society, we are pretty immune to news about viruses and worms, but we should be more concerned, according to Mark Bowden, author of Worm: The First Digital World War, which tells how an alliance of volunteers from around the world fought the Conflicker worm in 2008-2009.

Bowden begins his book with a bit of history. It seems there have been pranksters since the beginning of the Computer Age. Brilliant geeks have always found satisfaction in surprising their colleagues by pirating their monitors and sending clever messages buried in software. Then criminals discovered they could send viruses via email that could crash computers or steal personal information and account numbers from unsuspecting victims. Through the decades, the menace has grown. Now terrorists or nation-states can imbed code in millions of computers to make them slaves to their bidding. Personal computer owners might never know they are harboring and assisting malicious attacks on corporate and government websites.

The Conficker story is now out of the headlines but the battle continues. The worm still lives in millions of computers that have not loaded Windows updates properly. To date not much has really happened as the master of Conflicker seems to be biding his time. He has leased the botnet at least once to purveyors of email spam, but the potential for much greater harm, such as attacks on utilities or military command stations, still exists.

Worm is certainly an eye-opening book. I suggest readers with an interest in technology try the audiobook read by Christopher Lane.

Bowden, Mark. Worm: The First Digital World War. Atlantic Monthly Press, 2011. 245p. ISBN 9780802119834.

Also, Brilliance Audio, 2011. 6 compact discs. ISBN 9781455825233.

Friday, April 13, 2012

Chicago Music Scene at Thomas Ford

What do musicians Sam Cooke, Corky Siegel, Jim McGuinn (later known as Roger), Ramsey Lewis, and Dean Milano have in common? They all played Chicago clubs in the 1960s and 1970s, when there were many venues offering a variety of live music in the Chicago area. Milano, with his guitar and laptop in hand, lovingly described the time in a slide presentation as a part of our spring Elmer Kennedy History Lecture Series.

Milano, as author of Chicago Music Scene: 1960s and 1970s, has amassed a large collection of photos to accompany his fond memories. Many of the images that he included in his presentation were from his 2009 book, but he had some extras that he included while recounting the intersecting circles of folk, country, rock, blues, and jazz musicians. Showing an old musical friend on the screen, he often stopped the narrative to sing a verse and a chorus from one of that artist's songs. Most of them were instantly recognized as national hits, such as Sam Cooke's "Cupid" or the Buckingham's "Hey, Baby, They're Playing Our Song."

Milano has taken his presentation to numerous libraries and organizations around the Chicago area. We were glad to get him. I know I went home wanting to hear more music from old CDs or YouTube.

Wednesday, April 11, 2012

Jane Goodall: 50 Years at Gombe: A Tribute to Five Decades of Wildlife Research, Education, and Conservation

Jane Goodall is one of the planet's most revered scientists. Because of National Geographic coverage of her studies of chimpanzees in Tanzania in the 1960s and later, and because of her global campaign for humane treatment of all animals, she is known by adults and children worldwide. Many want read about her and her continuing work. Because some biographies of Goodall are over 500 pages, requiring a commitment of many days for most readers, I am glad to find Jane Goodall: 50 Years at Gombe. At 144 pages and filled with many color photos, it highlights Goodall's life and explains her most important work with both economy and enthusiasm. Readers are introduced to the most prominent of the chimpanzees that she studied and are given contacts for contributing to Goodall's causes. It is a good book for both libraries and fan collections.

Another good way to learn about Goodall's work is to view the DVD Jane's Journey.

Goodall, Jane with the Jane Goodall Institute. Jane Goodall: 50 Years at Gombe: A Tribute to Five Decades of Wildlife Research, Education, and Conservation. Stewart, Tabori & Chang, 2010. 144p. ISBN 9781584798781.

Monday, April 09, 2012

Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line by Martha A. Sandweiss

Geologist Clarence King was a famous man in post-Civil War America. He led the 50th Parallel Survey, helped establish the U. S. Geological Survey and was its first head, and penned the bestselling book Mountaineering in the Sierra Nevada. His close friends included historian Henry Adams and Abraham Lincoln's former secretary John Hay. He toured Europe, started an art collection, and belonged to prestigious clubs. But, according to author Martha A. Sandweiss in Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line, King never really liked being a part of high society. He escaped to far flung places whenever he could and when he could not, he slipped away from his high class hotel and enjoyed the company he found in poor ethnic neighborhoods. He even pretended to be a mulatto Pullman porter named James Todd and married a former slave named Ada Copeland.

Passing Strange is a dual biography of Clarence and Ada that investigates their secret relationship. With a rich dose of 19th century history to give her story context, the author recounts how Clarence led a double life by being a person who was often "away," keeping a distance from people in both of his worlds. For at least thirteen years and until his death, he succeeded in keeping his secret, but at a tremendous cost to his career and fortune.

Instead of stopping at King's death, as many biographers have before, Sandweiss follows the lives of Ada and the children that she bore for King, showing the successes and failures of his idealistic plans. A subsequent court case for King's estate heard thirty years after his death reveals much about the state of racial relations at the time. Read by Lorna Raver, it is a great audiobook for listeners wanting a mesmerizing epic. Those who enjoy Passing Strange may also like The Hemingses of Monticello by Annette Gordon-Reed.

Sandweiss, Martha A. Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line. Penguin, 2009. 370p. ISBN 9781594202001.

Tantor Media. 12 compact discs. 14.5 hours. ISBN 9781400141517.

Friday, April 06, 2012

The Hundred Dresses by Eleanor Estes

Children can be thoughtlessly cruel just to have what they think is a little fun. We probably all remember incidents from our school days when popular girls or boys teased individuals who were not fashionable or were in some other way different. Others went along with the teasing. Such is the case in the children's classic The Hundred Dresses by Eleanor Estes, illustrated by Louis Slobodkin. Peggy and Maddie notice that shy Wanda wears the same blue dress to school every day. When confronted by Peggy, Wanda claims that at home she has a hundred dresses and describes them. As Peggy asks Wanda each day about the dresses, Maddie feels increasing guilt but never says anything to stop Peggy. Then Wanda quits coming to school. Maddie wonders if they have driven the girl away.

There is a fine line between teasing and bullying, and bullying is a hot topic in education and parenting circles these days. Every few weeks there seems to be a story about a teen who commits suicide to escape relentless bullying. Prevention efforts need to start at an elementary level, which is why books like The Hundred Dresses are important. The book seems a bit old-fashioned and the story develops slowly, but I believe it could still be effectively used with some elementary students. National Public Radio agrees and chose the old book for its Backseat Book Club for young readers and their parents. NPR paired it with Shooting Kabul by N. H. Senzai in February. Click here to learn more about the club.

Estes, Eleanor. The Hundred Dresses. Harcourt, Brace & World, 1944.

Wednesday, April 04, 2012

The Big Roads: The Untold Story of the Engineers, Visionaries, and Trailblazers Who Created the American Superhighways by Earl Swift

We use interstate highways to cross the United States all the time but rarely marvel at them as we should, according to Earl Swift, author of The Big Roads: The Untold Story of the Engineers, Visionaries, and Trailblazers Who Created the American Superhighways. Usually we just buckle up and guide our cars across the plains and through the mountains with little worry, not recognizing the largest and most expensive public works project in history. If we have any historical sense at all, we thank President Dwight Eisenhower for letting us bypass curving rural roads and small towns that would slow us. Eisenhower did have a role, the author admits, but he is given much more credit than he is due. Swift argues that driving clubs and engineers had been designing national roads for four or five decades before the former general was president, and President Franklin Roosevelt had extensive federal plans drawn early in his administration. Eisenhower just came along at the right time to secure the funding for a system that he did not actually understand.

There are other myths that Swift dispels. One is that the interstate highways are designed to allow military aircraft to land almost anywhere in the country. Military concerns were considered in early designs, but civil engineers quickly realized that there would be no way to clear the roads of traffic before plane landings. Another myth is that the system's primary aim is to get military forces and supplies across country. This myth helped secure the support of some legislators, but the designers really had travel and commerce in mind when plotting routes.

Back to Eisenhower. He believed that the interstates would be strictly rural, coming close to but not actually entering cities. That had been the original idea when they were first conceived as no one wanted to rip cities apart to insert multilane highways. But as more people bought cars, the cities became gridlocked, and drivers and car manufacturers began demanding expressways. Accommodating this demand increased the costs tremendously and led to urban clashes as poor neighborhoods were often chosen for the highways. Swift highlights the difficult history of Baltimore.

In telling this history, Swift profiles many of the people involved, including engineers, politicians, and community organizers, and recounts the history of companies, such as Howard Johnson Inns, Stuckey's Pecan Shoppes, and Holiday Inn. He also bring readers up to date with the state of the highway system and its desperate need for repairs. His discussion is lively and I learned much about why we now have a mixture of free and toll roads. I am glad that I heard the author on National Public Radio's Science Friday and checked out his book.

Swift, Earl. The Big Roads: The Untold Story of the Engineers, Visionaries, and Trailblazers Who Created the American Superhighways. Houghton Mifflin Harcourt, 2011. 375p. ISBN 9780618812417.

Monday, April 02, 2012

Wife of the Gods by Kwei Quartey

On the back cover of the audiobook case for Wife of the Gods by Kwei Quartey, Kirkus Reviews is quoted “Move over Alexander McCall-Smith. Ghana has joined Botswana on the map of mystery.” This seems to me an unintentionally misleading statement because the only common factor between mysteries of McCall Smith and Quartey is the African setting. They are otherwise very different. McCall Smith’s No. 1 Ladies’ Detective Agency books are gentle and filled with humor, while Quartey’s Inspector Darko Dawson Series mysteries are violent and serious. Inspector Dawson, who loves his marijuana, violates police protocol frequently, and beats a couple of suspects after charging other cops with brutality. Mma Ramotswe would never act like Dawson.

Now that you are forewarned about the differences, I suggest that you try listening to Wife of the Gods if you enjoy flawed cops like Kurt Wallander or like learning about foreign cultures while trying to solve a mystery. The author Quartey evokes a tropical Ghana filled with superstition and bad cops. The plot also has a good supply of twists that will be a challenge to foresee. It will be interesting to see how Inspector Dawson develops in subsequent titles.

Quartey, Kwei. Wife of the Gods. Tantor Audio, 2010. 8 compact discs. ISBN 9781400113415.

Friday, March 30, 2012

House of Stone: A Memoir of Home, Family, and a Lost Middle East by Anthony Shadid

"The whispers of Isber's age were everywhere in Marjayoun. They spoke of a time in which I never lived but had envisioned so often that, to me, it was almost more familiar than the present. It was the era whose fragments and civilities - the remnants of the Ottomans and the Levant - had originally drawn me to the Middle East."

Much about House of Stone: A Memoir of Home, Family, and a Lost Middle East by Anthony Shadid is revealed in this passage from page 133. Isber was Shadid's great grandfather, a man who after 1900 built a stately house on a hill to claim his membership in the society of Marjayoun, a vibrant town of Christian and Muslim merchants in Southern Lebanon. The wealth and tolerance of the community soon disappeared in the upheaval following the dismantling of the Ottoman empire after World War I. Isber sent his children to the United States and Brazil to escape violence, and he then died prematurely. His widow lived in the house until the 1960s after which it began to crumble. It was occupied by an Israeli agent during the 1982 war and was struck by a small missile. Shadid, who grew up in a Lebanese community in Oklahoma, took a year off from his job with the Washington Post to rebuild the house, hoping to rebuild his family as well.

In House of Stone, Shadid retells stories from his family while describing the slow restoration of Isber's house and gardens. Throughout there are strained relations with his foreman and various craftsmen who have a very different sense of time than Shadid. He also visits relatives and prominent citizens of the community. My favorite is Dr. Khairalla, a wise retired hospital administrator who gives Shadid cuttings for his garden. The doctor was convicted of treason (but never sentenced) for having dealt with the Israelis during the occupation, something he had to do to keep the hospital open.

Shadid was a winner of two Pulitzer Prizes for Journalism and is nominated again this year for his coverage of events in Syria. In February 2012, he died from an asthma attack while clandestinely crossing the Syrian border from having interviewed Syrian rebels. His book was published in March. Like his great grandfather, his stay in the house was short.

Shadid, Anthony. House of Stone: A Memoir of Home, Family, and a Lost Middle East. Houghton Mifflin Harcourt, 2012. 311p. ISBN 9780547134666.

Wednesday, March 28, 2012

420 Characters: Stories by Lou Beach

"420 characters are a lot for even the most epic of novels," I thought, "and this book is rather thin." But I discovered the characters were letters, numbers, symbols, punctuation, and spaces, and 420 Characters: Stories by Lou Beach is a collection of very short short stories. They debuted on Beach's Facebook page, which at the time of their writing limited posts to 420 characters.

What can you do with so little? Beach as a professional illustrator working for magazines was already adept at conveying a message quickly. His job was to catch the eye and support the message of each article. In a similar vein, his little stories are really pictures made from a handful of words. They are truly stories, too, as each has characters and plot. Some even have settings. A few could be used as luring opening paragraphs for standard-length stories or novels.

You have to be in the right mood to read Beach's pieces. Some days I opened the book and was greatly entertained, but on other days I did not comprehend them at all. They are sort of like poetry. Being relaxed helps. Don't read more than a few at once. Some of Beach's mysterious illustrations are inserted between the stories.

You can find some of the stories read aloud by Jeff Bridges, Ian McShane, and Dave Alvin at 420characters.com.

Beach, Lou. 420 Characters: Stories. Houghton Mifflin Harcourt, 2011. 169p. ISBN 9780547617930.

Monday, March 26, 2012

You Know When the Men Are Gone by Siobhan Fallon

Why do I forget that I enjoy short stories? Tending to read mostly biography, history, and science, I rarely venture to the fiction shelves. Luckily for me, Bonnie left You Know When the Men Are Gone by Siobhan Fallon on my night stand. This collection of stories describes the lives of soldiers and their families stationed at Ft. Hood outside Killeen, Texas during the years of the Iraq War. Because soldiers do twelve month (or longer) tours abroad and because most of the combatants are still men, many women and children populate the gigantic base, where there are schools, churches, shopping centers, hospitals, libraries, and such. Rarely having to ever leave the base, 40,000 women are absorbed into a regimental culture. Not all join willingly.

The author knows of what she writes. While her husband served two tours in Iraq, she lived at Ft. Hood, observing the life around her with the eye of a writer. She emphasizes in her notes that the stories are fiction. The specific plots may not be true, but the emotions that drive the conflicts between women and between married couples are authentic. Times of deployment, disastrous attacks in Iraq, and reunion are particularly stressful. A sign near one of the base gates warns "You Survived the War, Now Survive the Homecoming." That is also the title of one of the stories.

Each story stands by itself, but it is fun to identify a few characters that appear in more than one story. The two longest stories are about forty pages. The stories should be popular with readers of contemporary fiction. 

Fallon, Siobhan. You Know When the Men Are Gone. Amy Einhorn Books, 2011. 226p. ISBN 9780399157202.

Friday, March 23, 2012

The Story of the Weeping Camel

This week's final nature film is a docudrama called The Story of the Weeping Camel. Like Winged Migration, the producers use artistic license in the creation of this film, arranging scenes to tell the story that they want to tell, a sort of Mongolian legend in which traditional music is used to manage a problem associated with a rare white camel calf*. I don't want to tell you what as to save the surprise.

While the plot may be scripted, the setting is authentic. Viewers see nomads from Mongolia's Gobi Desert raising their camels, goats, and sheep and living in their gers. We observe the daily life of four generations who seem to be quite prosperous. Inside their gers, are colorful blankets and painted furniture. They may not have been moved recently. Outside the scenery is stark and dry, but the herds seem large and healthy. Camels drive the pump that lifts water from their well. The herders trim hair off the camels to weave their own ropes. The scene seems timeless, except for some bright plastic barrels and the radio that the grandfather keeps. We learn late in the film that they could have a television, but the elders fear the children would waste their time.

The pace of the movie is slow compared with Hollywood fare, but that is a big part of the charm. You can learn much more about the film and life in Mongolia at the National Geographic website.

The Story of the Weeping Camel. New Line Home Entertainment, 2005. 87 min. ISBN 078065014X.

*In the film, the baby camel is referred to as a colt, but I found that zoos consistently use the term calf in their postings on the website ZooBorns. National Geographic also uses calf in its website description of the film.

Wednesday, March 21, 2012

Jane's Journey

We continue nature film week with Jane's Journey, a biographical portrait of Jane Goodall, who has become a champion of conservation and the ethical treatment of animals. At nearly two hours, this documentary recounts the primatologist's long career, showing her childhood, early chimpanzee studies in Gombe National Park in Tanzania, and global campaign for a variety of environmental causes.

Thanks to Goodall's father, who was an early advocate of home movies, we are able to see her as a child, and she was comfortable in front of cameras when National Geographic arrived at her compound on the shores of Lake Tanganyika in the early 1960s. The magazine articles and television specials that National Geographic produced made young Goodall an international hero quickly. The first half of Jane's Journey describes her years of primate study, her failed marriage with photographer Hugo Van Lawick, and the loss of natural habitat for the wildlife of Africa. The second half shows Goodall as ambassador to the world. A subplot throughout is her strained relationship with her son Hugo, known to people worldwide since his birth as Grub.

Because her causes are now her life, we travel to many troubled places in the later part of the film. The saddest may have been in the United States, as Goodall visited a Native American reservation where poverty and lack of hope have led to many adolescent suicides; her Roots and Shoots program is supporting community gardens to improve nutrition and create civic pride there. Her visit to a Congolese refugee camp was also quite moving. There, as in many places, she is surrounded by people eager to transform their lives and environments.

Jane's Journey will be appreciated by her fans worldwide.

Jane's Journey. First Run Features, 2011. 111 min.

Monday, March 19, 2012

Winged Migration

As I mention in my review of Himalaya with Michael Palin a few weeks ago, we got a flat-wide-screen television which excels at showing nature programs. To celebrate, I am making this nature film week at ricklibrarian. Today we start with one of my favorites, Winged Migration by director James Perrin. This film about the world's birds, many of whom travel great distances seasonally, is filled with dramatic forests, mountains, beaches, and deserts against which the colorful birds are strikingly beautiful. With little dialogue, the film records flocks of birds traveling north to breed and south to escape the winter. In some sequences we simply hear wind, waves, and the flapping of wings. Sometimes new age music accompanies the birds in flight. It is wonderful viewing.

Like many films that we have seen on PBS's Nature or National Geographic Specials, Winged Migration is the story of a year. What distinguishes this film, which was a feature attraction in theaters, is the point of view. We are close flying alongside the birds crossing spectacular landscapes. To get such shots, the producers had to go beyond the rules followed by many nature filmmakers who record unscripted events. Perrin and his crew hatched flocks of migrating birds that imprint well and taught them to accept the sounds of motor boats, ultralights, paragliders, trucks, and motor scooters. We do not hear motorized sounds or the calls of bird keepers, all of which were edited out of the scenes. In the special feature Making-of, the producers admit that their film is not real life but stress their recreation of nature.

Over 450 people worked on the film, 17 pilots and 14 cinematographers. Shooting took three years and another year was spent editing. Each minute of the film represents about two months of a crew on location. The movie was release in the U.S. in 2003 and is still stunning. Viewers with new televisions should borrow Winged Migration again.

Winged Migration. Sony Pictures Classics, 2003. 89 min. ISBN 9781404923096.

Saturday, March 17, 2012

Pennsylvania Academy of the Arts

During my lunch break at the Public Library Association Conference in Philadelphia yesterday, I visited the Pennsylvania Academy of the Arts , which is right across the street from the convention center. The museum has a small but impressive collection of works, many from artists associated with the city. Anyone who has read books about American Colonial or Revolutionary history will recognize some original paintings by Gilbert Stuart and Charles Willson Peale of George Washington. There are paintings by many members of the Peale family, as well as by Thomas Eakins, George Bellows, John Singer Sargent, Childe Hassam, and members of the Hudson Valley School. I was able to see the paintings and still had time to get a sandwich in the Academy's cafe. A great small museum.

Friday, March 16, 2012

Busy Day at PLA

Hi, everyone. I have just finished another full day at PLA. I'll write up some reports later, but here are links to two of my reports from yesterday.

For The Reader's Advisor Online, I wrote about Authors and Books: The Top 5 of Another 5. I have a lot  of titles to add to my to-read list after attending this program.

For PLABlog, I wrote about A Librarian's Field Guide to Near Field Communications. I had never heard of NFC tags before coming to Philadelphia, but I now know what you can do with an NFC tag and an enable smartphone.

I skipped lunch and went to another art museum. More about that later.

iPads in the Library: From Tech Programming to Staff Productivity

Joel Nichols, soon to be the driver of the new Tech Mobile at the Free Library of Philadelphia, has been using iPads in his children's story time presentations. He believes there are numerous other applications that may also be made throughout his library, which he described in his well-attended PLA presentation "iPads in the Library: From Tech Programming to Staff Productivity."

To start, he briefly identified the differences between current smartphones, e-readers, and tablet computers, pointing out that tablets have the greatest potential for library use. Then he limited his discussion to iPads and iTouchs with which he has experience. He began with use in children's programming. His first point was, of course, that librarians may read from iPads to children, but he cautioned us about this application. An oversized print book is easier to share with a group of more than two or three listeners, but the iPad is still a good device for Kamishibai stories told with pictures that a presenter has assembled using PowerPoint or the Slide Shark ap. With a supply of iPads, all the kids could create their own picture-based stories and then share them.

iPads may better serve in secondary roles in programs. Should the librarian or other presenter need music or sound effects, they can quickly be stored, cued, and played from an iPad or iTouch. A tablet could also be used as a digital display for photos, animations, or web pages that could be passed around to attendees during presentations. iPads could provide reference help during cooking lessons or craft programs, used by presenters or participants. Last, but not least, programs could be recorded easily using a tablet's camera and microphone and then quickly loaded to YouTube.

According to Nichols, there are over half a million aps for iPhone and iPad, which may be purchased through the iTunes store. These might provide content or be productivity aps. He showed stills from his work with Puppet Pals. He recommended checking user ratings at the iTunes store as well as checking Flipboard, a magazine for educators using aps. If libraries have complicated procedures to make credit card purchases, he recommend using iTunes gift cards. Most aps cost under $5.

Beyond programming, reference librarians may use iPads to access the library catalog, web pages, and online databases while roving the library. He recommended strapping an iPad to the hand to become an object of curiosity. He has found librarians in a public setting reluctant to carry iPads that they might drop or lose. A strap might help with the carrying. School librarians might carry iPads instead of laptops when going to help in classrooms.

A librarian at the program reported that the District of Columbia Library has developed an ap to assist weeding collections.

Because they display photos so nicely, Nichols said mounted iPads would be good in public displays. iTouchs with cameras may be used to read QR codes posted around the library for patron self-guided tours.

He said that their use instead of laptops in projected programs has been problematic so far because special connectors have to be used and some equipment seems incompatible. It might be better in some situations to use Apple TV for presentations. Some members of the audience reported having no problems connecting an iPad to a projector.

Finally, he said with an ap to record handwriting, the iPad is a great devise on which to take notes during conference programs. Nichols has put the slides to his presentation on the web at tiny.cc/nicholsPLA.

Wednesday, March 14, 2012

Philadelphia Museum of Art

The Philadelphia Museum of Art has a big Van Gogh exhibit. I did not go because I had limited time and did not want to wait in long lines. I really wanted to see the American art wing, with lots of Thomas Eakins and the Peales, who were from the city. I also saw 4 John Singer Sargent works that I had not seen before! After seeing the American art, toured the medieval and renaissance art wing, which had huge doorways from cathedrals and a cloister from a monastery, as well as lots of alters and such. It was overwhelming. Then in the Asian section there was the interior of a temple to Vishnu and a Japanese tea cottage. Later I found whole rooms full of period furniture from European countries. Great place.

I also went to the opening of the exhibits at the Public Library Association conference today. I ended my day with a great meal at the Down Home Diner at the Reading Market. The mashed potatoes were smooth and creamy and the cast iron fried chicken reminded me of my grandmother's chicken.

Monument to Honor Scottish Immigrants

I'm in Philadelphia now to attend the Public Library Association Conference. Coming a day early, I was able to walk around the historic district on Tuesday. Close to the Delaware River, I was surprised to find this monument to Scottish immigrants. I do not recall ever seeing such celebrating the Scots, who must be among the most under-appreciated of American immigrants. I think Bonnie will like this monument.

I toured Independence Hall yesterday. I wish it could have been self-guided, as for the first time ever I found the park ranger guide annoying. He kept asking us questions instead of informing us in a pleasant manner. People don't like to speak up in big tour groups (80 per tour). He seemed like a pompous teacher who likes to belittle his students. I hope you don't get him as your guide if you visit what has to be one of the most important American places. I would have preferred sacred silence.

Today I visit art museums before I attend the opening of the conference mid-afternoon.

Tuesday, March 13, 2012

ricklibrarian to PLA in Philadelphia

Today I will fly to Philadelphia to attend this year's Public Library Association Conference. I am looking forward to seeing friends in the field (not the grassy field) and attending a bunch of programs aimed at public librarians. I also am eager to see my new book Read On ... Biography which is scheduled to debut at the conference. I like that Jane Goodall is one of the figures on the cover. I will be with Joyce Saricks and Barry Trott at a signing event at the Libraries Unlimited exhibit (too big to call a booth) on Thursday from 4 to 5 p.m. Come by if you are at PLA.

In the meantime, I will be trying to see as many historical sights and American Art as I can before the conference officially begins.

Once the conference begins I will be reporting on programs and exhibits here at ricklibrarian and at PLABlog. I will also be sending a report or two to Sarah at RAOnline.

Monday, March 12, 2012

Read On … Audiobooks: Reading Lists for Every Taste by Joyce Saricks

This week I'll focus on the Public Library Association Conference in Philadelphia. Joyce will be at the conference. You learn where to spot her in the next to last sentence of this post.

  Spring approaches and I will soon be gardening. It is a fortunate time to borrow Read On … Audiobooks by Joyce G. Saricks. I am browsing and creating a listening list for my hours with the flowers.

Like all of the guides in the Read On … Series, Joyce's book is divided into five sections according to the appeals of reading. The order, however, differs from other books in the series. She starts with language/voice and follows with mood, which are numbers 4 and 5 in other guides. Then she adds story, character, and setting. I turn to the last first because I enjoy new or unusual settings, and I immediately find the list "We Are So Not Amused: The Dark Side of Amusement Parks." I have already enjoyed Something This Way Comes by Ray Bradbury in audio. Maybe I will like The Rabbit Factory by Matthew Karp or Native Tongue by Carl Hiaasen. Maybe I will be laughing wickedly as I rip weeds from the soil.

I like Joyce's comment in her introduction that audiobooks appeal to us because we were weaned from having others read to us at too early an age. Some of us do still hear Bible passages read at church, but we hear little else read live. I remember fondly enjoying my fourth grade teacher reading Johnny Tremain aloud while we sat at our desks. It is hard to imagine such stillness in a schoolroom today. 

Joyce will be at the ABC-Clio/Libraries Unlimited exhibit at the Public Library Association Conference in Philadelphia this Thursday signing her book. If you are at PLA, come by at 4 p.m. Barry Trott and I be there, too.

Saricks, Joyce G. Read On … Audiobooks: Reading Lists for Every Taste. Libraries Unlimited, 2011. 145p. ISBN 9781591588047.

Friday, March 09, 2012

Breadcrumbs by Anne Ursu

In December, National Public Radio chose Breadcrumbs by Anne Ursu for its Backseat Book Club. The club asks kids between 9 and 14 years old and their parents to read books and send to the club their comments. I heard the end of the month report on an NPR podcast and was impressed with the observations made by numerous students. Hearing that The Snow Queen by Hans Christian Andersen and The Lion, the Witch, and the Wardrobe by C. S. Lewis inspired the recent work, I borrowed a copy and started to read.

"It snowed right before Jack stopped talking to Hazel" seems a rather modest first sentence, but having finished the book, I see much is introduced by these nine words. The statement launches a tale that at first seems very contemporary but then turns magical. Hazel is an 11 year old adopted by American parents from India and brought back to Minneapolis. She and her best friend Jack share an interest in reading, fantasy games, and the Minnesota Twins, but they do not agree about other 5th graders. Jack has a wide circle of friends, but Hazel is only interested in Jack. A snowball in the back marks the start of a series of events that leads the two to a dangerous place far beyond their neighborhood.

The author obviously knows and loves fantasy literature, and like-minded readers will recognize references to genre classics, such a The Hobbit and The Wizard of Oz. What I especially like is how Hazel draws on her reading to understand her own challenges. Of course, not every thing is as it first seems in Breadcrumbs. Readers of all ages will have fun sorting the good from the evil with Hazel.

Click here to learn more about the Backseat Book Club.

Ursu, Anne. Breadcrumbs. Walden Pond Press, 2011. 312p. ISBN 9780062015051.

Wednesday, March 07, 2012

Himalaya with Michael Palin

I envy and admire Michael Palin. I so wish I could wander the planet as he does in his great travel adventures. At least he kindly takes us with him to the world's most amazing places, especially in his 2003-2004 journey Himalaya. In six months, he visited the heights of Pakistan, India, Nepal, Tibet, China, Bhutan, and Bangladesh, ending where snow-melted waters of the Ganges pour into the Bay of Bengal. I cannot imagine getting to all of the remote places any other way than going with Michael.

While Palin made the trip so easy for us, we see how difficult and dangerous the going was for him. The BBC, of course, worked to keep him safe, but the narrow mountain roads and rocky footpaths left little room for mistakes. He suffered from altitude sickness and bitter cold, but the grandeur of the mountains drove him on. In Nepal, one of his guides was kidnapped by Maoist insurgents for a couple of days, but he was released unharmed after a couple of days.

Throughout Himalaya, affable Palin was the perfect guest, able to accept the hospitality of rich and poor alike, eating anything put before him. I loved the scenes of him in a yurt making yak butter. He took tea with local celebrities, holy people, academics, porters, and fellow travelers. He could strike up a conversation with almost anyone.

With our new flat screen television, we were wonderstruck by the towering mountains, crystal blue lakes, ancient temples, and colorful prayer flags. All six 50-minute episodes are a feast for the eyes. I would not mind seeing it again. A daily diary with many photos is on the web at palinstravels.co.uk. There is also a companion book.

Himalaya. Warner Home Video, [2005]. 3 DVDs. ISBN 141981303X.

Monday, March 05, 2012

The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire by Jack Weatherford

That women held power in the age of Genghis Khan is a secret, according to Jack Weatherford in his book The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire. Pages telling of feminine leaders were cut from the Mongol records, probably by men who did not want their stories told. The author, however, has been able to reconstruct a bit of their history from accounts by the Mongols' enemies and by reexamining historical artifacts. His finding is that for nearly three centuries Khan's daughters, granddaughters, and their female descendants took part in defending and defining the Mongol empire.

Readers unfamiliar with Asian history (most of us?) will be surprised by Weatherford's characterization of Genghis Khan. He has been described by many histories as a barbarian, a destroyer of civilization. The records, however, show that he had many progressive ideas. He degreed that women could not be traded for animals or property, and, Weatherford claims, Khan even established his daughters as rulers over four of the regions in his empire. They were as ruthless as and more successful than his sons.

As interesting as the plot is, The Secret History of the Mongol Queens was not a hit with our book discussion group. In the first two sections of the history, there are far too many people and place names and far too few developed stories for most readers. Interest in reading wained for many. Only in the final section of the book was Weatherford able to write a sustained narrative with well-developed characters.

Interestingly, the Field Museum of Chicago has just opened an exhibit on Genghis Khan. The promotional materials mention Khan and his sons but not his daughters. Have they read this book? It will be interesting to compare the accounts.

Weatherford, Jack. The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire. Crown Publishers, 2010. 317p. ISBN 9780307407153.

Friday, March 02, 2012

Bill Cunningham New York directed by Richard Press

Who's that man in the blue windbreaker taking candid photos of people on the streets of New York? Why do so many people seem so unconcerned when he lopes ahead or behind them, snapping shots from many angles? Do they know him? Yes, many do. He's Bill Cunningham, fashion photographer of the New York Times, and for decades he's been taking their pictures for his Sunday fashion column. Many Manhattanites dress up hoping Bill will notice their wild hats, capes, shoes, earrings, purses, and vests, and they are quite pleased when their photos show up in the newspaper. They strut for Bill, who is the subject of the intimate 2010 documentary film Bill Cunningham New York directed by Richard Press.

There are many surprising things about Bill, including his age. At over 80, he dashes between his Manhattan assignments on a bicycle regardless of the weather. At several points, I thought he might get hit by a cab, but he seems to be protected by a guardian angel. He also lived at the time of the filming in an old artist apartment at Carnegie Hall without a closet, kitchen or bathroom. Most of the space was taken with filing cabinets holding his photo archive. His bed was a mattress propped on boxes wedged between cabinets. He always eats out - the cheaper the better. Despite his total lack of pretension, he receives invitations to many of the most exclusive society affairs in the city, where he never accepts even a drink of water while others wine and dine.

Before our film discussion group viewed Bill Cunningham New York, I couldn't imagine being interested in a fashion photographer, but Bill is a totally free spirit who seems to enjoy nearly every minute. In the serious moments of the film, you will discover that he works very hard to remain independent. Whether he is a viable model for living is a good topic for any discussion group - after they stop laughing.

Bill Cunningham New York. Zeitgeist Films, 2010. 84 minutes.

Wednesday, February 29, 2012

Chicago History in Song by the History Singers

Kathryn and John Atwood at Thomas Ford
Chicago has a dramatic history, only some of which has been commemorated in song. Kathryn and John Atwood of the History Singers have found major historical subjects that have no surviving songs to sing to later generations. Among the stories unsung were the Haymarket Riot, the sinking of the Eastland, and the eviction of the Potawatomi Indians from the region. Being devoted folksingers, they have written their own pieces which they debuted at the Thomas Ford Memorial Library on February 21 for one of our Elmer Kennedy History Lectures.

Kathryn and John added their songs to others they have collected for a new program they call Chicago History in Song. They started with an old favorite called "El-A-Noy" which was used to promote the selling and settling of the state in the 1830s and ended with the blues classic "Sweet Home Chicago." In between, they sang about the Chicago Fire of 1871, the First Ward rule of Bathhouse John Coughlin, and the woe of the Chicago Cubs, as well as the three subjects in the first paragraph above. They introduce each song with a bit of history to explain its significance.

If we had a house band at Thomas Ford Memorial Library, it would be the History Singers, who have presented at least a half dozen of their programs as our history lectures or for our Friday at the Ford coffeehouse. Kathryn and John are always warm, friendly, and entertaining, and they always have some new or forgotten songs to share. We have enjoyed debuting their latest offering.

Monday, February 27, 2012

Uranium: War, Energy, and the Rock That Shaped the World by Tom Zoellner

The story of uranium is, of course, an epic that has no end (thankfully). Tom Zoellner brings us up to date with Uranium: War, Energy, and the Rock That Shaped the World. It is tale that begins with the formation of the earth, but being more concerned with human pursuit of wealth, power, and a better life through uranium, he starts in the the Middle Ages. When Czech miners dug for silver at St. Joachimsthal, they also found a greasy, dark matter that stuck to their picks. They called it pechblende, meaning bad-luck rock, and tossed it aside. Within fifteen years of mine operation, many of these men began to cough, spit blood, and die without a known cause. The silver soon ran out, the tragedy was forgotten, and the piles of waste surrounded the neglected mines for several centuries.

Zoellner picks up the story in 1896 when French chemist Henri Becquerel discovered strange emissions in his cathode ray experiments, leading the Curies to begin their studies of radioactivity. For the next several decades, most scientists thought rare radioactive elements would be of most use in medicine. Early in the 20th century, only novelist H. G. Wells suggested that an unnamed rock could produce both great energy for industry and powerful bombs for the military conquest, but his idea was considered fantasy.

The search for uranium began in earnest during World War II. Here is a part of the story that will surprise many readers. Even as the physicists of the Manhattan Project worked to build a weapon to give the Allies an edge to end the war, the potential for atomic weaponry was not realized. Military intelligence assured the president and his defense council that very little uranium existed anywhere and that only one mine in the Congo had ore worth extracting. Because the U.S. had firm control of that one mine, there was no danger of a proliferation of atomic weapons. Also, agents reported that Soviet scientists would never be able to understand how to build a bomb.

Of course, uranium turned out to be in many places, especially behind the Iron Curtain, and nations large and small sought supplies to become players in the atomic age. Building bombs is not difficult with highly enriched uranium. Fortunately, enriching uranium is still a very difficult and costly process.

In the last two thirds of Uranium, Zoellner takes readers to remote locations in many countries, including the Congo, Niger, western Australia, Israel, Iran, Pakistan, India, former states of the Soviet Union, and the desert southwest of the United States, places were ore is mined, refined, and shaped into weapons. He also follows international inspectors working to lessen the threat of terrorists obtaining weapons-grade material. Through his reporting of this research, he recounts 70 years of science, diplomacy, and fear. Readers who enjoyed his The Heartless Stone: A Journey Through the World of Diamonds will recognize and appreciate his quick-moving narrative.

Zoellner, Tom. Uranium: War, Energy, and the Rock That Shaped the World. Viking, 2009. 337p. ISBN 9780670020645.

Friday, February 24, 2012

Skin, a Film Directed by Anthony Fabian

Genetic science was not well understood by common people in the 1950s when a dark-skinned girl was born to Abraham and Sannie Laing, white Afrikaners living in the East Transvaal of South Africa. History was also misunderstood, as white Afrikaners had been taught that their ancestors had settled an empty land long before the arrival of dark tribes that they forced to work their crops and mines. The idea that many of them were of mixed race seemed ridiculous to them. With their own prejudices against blacks, her parents raised Sandra as white, not preparing her for the protest that arose when they sent her to boarding school. Nor did they imagine the three decades of trouble dramatized by director Anthony Fabian in his 2008 film Skin.

With a talented cast from Great Britain, South Africa, and other Commonwealth countries, Skin portrays the pervasive prejudice of 1950s to 1990s. Shopkeeper Abraham Laing (played by Sam Neill) will not allow the blacks to hand him money; glaring at them, he taps on the counter when they try to do so. Other people stare at Sandra (played by Sophie Okonedo) when she goes into a restaurant with date who talks constantly of chicken farming. When Sandra's racial classification is contested in court, crowds fill the courtroom and the streets. Her ever-changing legal status makes her life difficult, but is almost irrelevant in the end. She is seen as an outsider by everyone.

Skin is an excellent choice for film groups, for it is artfully made and has troubled characters with perplexing situations worthy of discussion. Viewers at the Thomas Ford Memorial Library were sympathetic and wanted to learn more about the Apartheid Era and current South African affairs. Because its distribution in the U.S. was very limited, many libraries can debut it to their communities. We had our best turn out of the season.

Trailer on You-Tube

Skin. E1 Entertainment, 2011. 107 minutes. ISBN 9781417233816

Wednesday, February 22, 2012

Twenty Chickens for a Saddle: The Story of an African Childhood by Robyn Scott

I enjoy two kinds of memoirs. The first is the kind that resonates with my own experiences. When I recognize the similarities in my life and that of the author, I feel the importance of my own story and often find new perspectives to contemplate. I may understand my family, friends, and myself better. The second kind describes a life very unlike my own. From reading such a book, I learn of other places, cultures, and aspirations, challenging me to envision other ways, making me sympathetic to the world as a whole. Twenty Chickens for a Saddle: The Story of an African Childhood by Robyn Scott is mostly the second kind of memoir.

I say mostly, because there is always some commonality. We all breathe, eat, sleep, and desire a good life. We all have families. But the particulars of Scott's childhood memoir are far different from my own. She was born in New Zealand and spent most of childhood in Botswana, where her father was a flying doctor skilled in alternative medicine. She was home schooled because her mother disliked the routine and repetition of regular schools. With her brother and sister, the African landscape was their primary school room; they swan in sight of crocodiles, learned to watch for snakes, and rescued injured animals. When she wanted a new saddle for riding their free-spirited horses, her father suggested that she raise free range chickens to sell their eggs to earn the funds. Living in what was a converted cow barn, her unorthodox family was unlike other white families who lived in cookie cutter houses.

To her credit, Scott is not self-centered in her memoir, as she devotes much of Twenty Chickens for a Saddle to stories about her parents, siblings, grandparents, and three nations of Botswana, Zimbabwe, and South Africa. In fifteen years, he witnessed black/white relationships, deteriorating economies, and the spread of AIDS, as well as her parents' struggles with broken dreams. She recounts the time with much wit (despite her father's claim that she had none), almost always tempering a sad story with a funny one. Readers who enjoy the Botswana of The No. 1 Ladies' Detective Agency books may also enjoy Twenty Chickens for a Saddle.

Scott, Robyn. Twenty Chickens for a Saddle: The Story of an African Childhood. Penguin Press, 2008. 453p. ISBN 9781594201592.

Monday, February 20, 2012

Chicago Stories: Tales of the City

A recent Forbes magazine analysis proclaimed Chicago the 6th most miserable place in the country, based on living conditions, traffic, weather, etc. I actually like the place, though there is tremendous opportunity for improvement, but I can see the ranking as a cumulation of many historical factors, all of which can be found in Chicago Stories: Tales of the City edited by John Miller and Genevieve Anderson.

What has gone wrong in Chicago:

  • The Great Fire of 1871 
  • The prostitution of 19th century farm girls 
  • The pitiful play of baseball teams 
  • The race riot of 1919 
  • The poverty of the South and West sides 
  • The avarice of the North Side 
  • The riots during the 1968 Democratic Convention 


In the hands of great writers, these miserable affairs often become compelling novels, histories, memoirs, and essays.

For the reader, Chicago Stories is like a sampler box of chocolates. You may like chocolate covered cherries and lemon creams but not chocolate turtles. While I enjoyed reading the short story "Looking for Mr. Green" by Saul Bellow, a selection from The Untouchables by Eliot Ness, and a selection from Boss by Mike Royko, I was rather disappointed by a selection from Hull House by Jane Addams and a profile from Division Street: America by Studs Terkel. Like with chocolates, each reading was a mystery before the tasting. More often than not, the experience was pleasurable.

Chicago Stories: Tales of the City. Chronicle Books, 1993. 242p. ISBN 0811801640.

Friday, February 17, 2012

Summer Side of Life by Gordon Lightfoot

How much do I like the music of Gordon Lightfoot? I can quantify. I have been listening to the folk singer for 42 years. I still have five of his vinyl LPs, and I now have eight of his albums on compact discs. The last number rose when I went on a minor eek-they-are-going-to-stop-making-CDs buying spree. Among the titles I purchased to fill in my collection of Lightfoot in his prime was Summer Side of Life, which I had heard but never personally owned. Because it was less familiar to me, it was like finding a new Lightfoot album, and I have listened to it numerous times in the past two months.

While there were many great songs in Lightfoot's early period, he garnered more attention between 1970 and 1976, when he issued an album a year. Summer Side of Life came out in 1971, right between If You Could Read My Mind (1970) and Don Quixote (1972). I don't remember any of the tracks from the 1971 collection getting much radio airplay. Lightfoot wrote all the songs. Some listeners might remember "Talking in Your Sleep" which has the same love-gone-wrong feel as "If You Could Read My Mind," one of Lightfoot's most replayed songs on oldies radio. "Cotton Jenny" was a hit for Anne Murray, but most baby boomers probably never heard Lightfoot's rendition. 

The singer/songwriter and his long-standing band showed much versatility on Summer Side of Life. "10 Degrees & Getting Colder" is a good down-on-my-luck-on-the-road song. "Miguel" is a Mexican border ballad that may remind some listeners to Marty Robbins' "El Paso." "Redwood Hill" is sort of country swing. "Nous Vivons Ensemble" and "Cabaret" are ambitious art songs, such as Judy Collins would have sung at the time. It is all good listening and representative of a great musical career.

Lightfoot, Gordon. Summer Side of Life. Warner Brothers, 1971.

Wednesday, February 15, 2012

Lee Murdock at Friday at the Ford

This will be a week for music reviews. In Monday's post, I mentioned my library's concert series Friday at the Ford. Five times each year, we present folk, jazz, or classical music in a small, friendly space on a Friday night. Relaxed musicians and audience members might even talk during a show. The concerts are absolutely free to attend thanks to the support of the Western Springs Library Friends.

In January 2012, we brought back Lee Murdock, an Illinois-based folk singer who has researched and performed many songs about the Great Lakes in his over thirty years on the stage. He began his hour-long concert with "Remember the Night of the Phoenix," a song that tells from three viewpoints about a fire on a steamship outside of Sheboygan in 1847. To lighten the mood, he followed with a humorous piece called "The Lumberman's Alphabet," which is not really a lake song. Murdock explained that he has recently been widening his repertoire, especially to include instrumental pieces, such as his haunting 12-string guitar rendition of "In the Bleak Midwinter."

Throughout the concert, Murdock told stories, some about the places that he had visited and others about the history that he had uncovered. One of my favorites was his account of the Lincoln-Douglas debates of the 1850s, which led to a song called "I Am a Peaceful Democrat." The singer also invited us to sing along on several songs. The audience did well, especially during the encore on "The Erie Canal."

Sales of Murdock's CDs after the concert were brisk. I got two, including his recent A Wordless Christmas, 20 carols and holiday songs on guitar (in 14 tracks), which we will enjoy at our house next December. I also bought The View from the Harbor, which includes an entertaining song by the same title about a retired sailor who holds court in a pub. I'll probably listen to it often while gardening this summer. You can learn more about Murdoch and his music at his website.

Monday, February 13, 2012

Ac•Rock at the Library

Do you think of libraries as venues for music? Not as a rule in most communities, but we do pretty well at Thomas Ford with our Friday at the Ford concerts and our annual An Evening at the Opera. We may also bring in music for special occasions, as we did for the 80th Anniversary Party, when Miss Uma booked Ac•Rock, an a cappella quartet that rips the guitars and drums out of rock and roll to let their voices carry the beat and melody. Their hour-long concert for families drew quite a crowd to our basement community room, where their riotous harmonies and crazed antics delighted listeners. It was great to clap and sing along to a series of familiar songs ranging from doo-wop to hard rock.

Ac-Rock has honed its entertainment skills and developed programs for different audiences. With the family program, we got elements from both school assembly presentations and serious concerts. Of course, nothing ever seems very serious for the quartet with its constant banter and slapstick gymnastics. Still, the singers let us know about the basic history and musical foundations of a capella singing. The pleased audience bought up dozens of Ac•Rock CDs after the show.

I took home their CD Acapellago, which dates from 1999, making it the second of their six albums. I bought it for the songs at the bottom of the menu - "Witch Doctor" and "Some Kind of Wonderful" - but found my favorites have turned out to be tracks 2, 4, 6, and 10 - "Come Go with Me," "Vehicle," "Bus Stop," and "409." On "Vehicle" they actual allow a guitar solo from Jim Peterik of the original Ides of March. Harry Nilson's "Coconuts" seems too long, but I am otherwise very happy with the selection and tempted to order more online at the Ac•Rock website. Luckily for us, Ac•Rock donated a portion of the after concert sales back to the library.

Friday, February 10, 2012

The Chronicles of Harris Burdick: Fourteen Amazing Authors Tell the Tales

In 1984, children's book author and illustrator Chris Van Allsburg published a small collection of unusual drawings supposedly given to him by the children's book acquisition editor Peter Wenders, whose publishing firm is oddly not named. Van Allsburg said in the introduction that Wenders said that a man name Harris Burdick brought the drawings to Wenders in 1954, promised more drawings and stories, but then disappeared. All efforts to locate the secretive illustrator were unsuccessful. In the meantime, Wenders children had all written stories to go with the drawings. Around 1983, Wenders showed these and the drawings to Van Allsburg who thought other children would also enjoy writing stories to explain them. So The Mysteries of Harris Burdick became a frequently used book by writing teachers in schools across the country.

In 1993, novelist Stephen King got into the act and wrote a story for one of the pictures, that of a three-story house rising above its lawn like a rocket just launching. Perhaps this was the seed from which Van Allsburg's new book sprouted. King is joined by thirteen other famous authors, each contributing a story for the drawing of their choice. Sherman Alexie, Jules Feifer, and Kate DiCamillo are among the esteemed group. In late 2011, The Chronicles of Harris Burdick was published.

The Chronicles of Harris Burdick has been popular, so I just got it from my library last week, and it leapt to the top of my bookstack. Once I did start, I tried to space reading out a little to savor them, but I finished quickly anyway thoroughly satisfied. I especially liked "The Harp" by Linda Sue Park, "The Seven Chairs" by Lois Lowry, and "Oscar and Alphonse" by Van Allsburg. Also, "Just Desert" by M. T. Anderson, which describes exactly the fear that I used to have when I was about twelve.

Though described as a children's book, you are never too old to enjoy the good stories in The Chronicles of Harris Burdick.

The Chronicles of Harris Burdick. Houghton Mifflin Harcourt, 2011. 195p. ISBN 9780547548104.

Wednesday, February 08, 2012

The Lost Panoramas: When Chicago Changed Its River and the Lands Beyond by Richard Cahan and Michael Williams

When I moved to Chicago over thirty years ago, I wished that I could time travel to see the city and the region before it had been transformed by massive public works and intense population. I found exhibits at the Chicago Historical Society revealing, and since then I have enjoyed many books, but I always look for more windows to the past. That is why I appreciated an exhibit of photographs from the Metropolitan Water Reclamation District of Greater Chicago that Bonnie and I saw at the Peggy Notebaert Nature Museum last year. Those photos and many more are now part of a big photo book The Lost Panoramas: When Chicago Changed Its River and the Lands Beyond by Richard Cahan and Michael Williams.

Why did the Sanitary District of Chicago (predecessor of the MWRDGC) take thousands of pictures along the Chicago, Des Plaines, and Illinois rivers between 1894 and 1928? The District anticipated lawsuits from property owners along the rivers affected by the digging of the Chicago Sanitary Canal to reverse the flow of the Chicago River, which sent all of the sewage and industrial waste away from Lake Michigan and the city into the center of the state, and it believed it could prove dilution rendered the wastes inoffensive and of no harm to the people downstream. Of course, this proved wrong in the long run, but District lawyers won many cases with the photos.

The legacy left by the photographers has transcended the narrow intent of the District Board and politicians to defend Chicago's cause. As shown in the recent book, their photographs captured a rich and fertile downstate landscape with small towns, farms, and woodlands. In the city, however, they showed terrible industrial abuse of the river from the uncontrolled flow of wastes from factories and the southside stockyards. If I had a time machine, I'd steer away from the river in the city. Until such a machine is developed, I'll enjoy more photo books like The Lost Panoramas.

Cahan, Richard and Michael Williams. The Lost Panoramas: When Chicago Changed Its River and the Lands Beyond. Cityfiles Press, 2011. 160p. ISBN 9780978545079.

Monday, February 06, 2012

Left to Tell: Discovering God Amidst the Rwandan Holocaust by Immaculee Ilibagiza

Eighteen years have passed since the genocide in Rwanda, a tragedy that should be remembered for eighteen hundred years and never repeated. The historical record, however, shows that lethal clashes between Tutsis and Hutus have occurred every other decade since the country's campaign for independence began in the 1950s. A million people may have died in 1994. How can the cycle be broken?

In Left to Tell: Discovering God Amidst the Rwandan Holocaust, genocide survivor Immaculee Ilibagiza offer forgiveness as the key. Ilibagiza has so much to forgive. Her parents and two of her three brothers were brutally murdered in the Interhamwe uprising following the downing of Rwandan President Juvenal Habyarimana's plane. Ilibagiza fled to the home of a Hutu minister who hid her and seven other women in a very small bathroom for 91 days while the massacre of Tutsis literally took place outside the tiny window through which she would sometimes peek. She survived by frequently reciting the prayers of the rosary, pausing and sometimes skipping the "as we forgive those who sin against us" statement in The Lord's Prayer. Her conscience would not rest, however, and she decided that the call to forgive is the challenge of her life.

Left to Tell is a natural for discussion groups. The book group from my church found it a very moving account but had several unanswered questions. The most puzzling was how Ilibagiza could spend 91 days with a group of women and say so little about them in her book. How could they all have maintained such quiet and discipline for three months? Also, is Ilibagiza's support of current president Paul Kagame consistent with her principles?

Group Left to Tell with the book An Ordinary Man by Paul Rusesabagina and films Hotel Rwanda and Munyurangabo, and you can get idea of what happened in Africa eighteen years ago.

Ilibagiza, Immaculee. Left to Tell: Discovering God Amidst the Rwandan Holocaust. Hay House, 2006. 215p. ISBN 1401908969

Friday, February 03, 2012

Forgotten Bookmarks: A Bookseller's Collection of Odd Things Lost Between the Pages by Michael Popek

What have you used to mark your spot in a book? A business card, a sales slip, a to-do list, a newspaper clipping, a photograph, or a letter from a friend or relative? Used bookseller Michael Popek has found these and many more curious items between the pages of books old and new. He reports his discoveries on his blog Forgotten Bookmarks and has now collected some of his favorites in a nicely illustrated book Forgotten Bookmarks: A Bookseller's Collection of Odd Things Lost Between the Pages.

In Forgotten Bookmarks, Popek presents exactly what he found - an artifact in a book - and usually adds a transcription of any handwritten messages. Like Popek, we get to puzzle over the significance of the item and whether there is some specific reason why it was in the book. Many of the items must have been the first thing at hand when the reader stopped reading, but other seem to have more connection, such as a poem "A Prayer for My Daughter" found inside the book Cutting: Understanding and Overcoming Self-Mutilation. Family photos stuck in Bibles is easy to understand, and it seems natural to find a postcard of New York's East River Bridge in The Old New York Frontier. I liked that he found a baseball card of Pee Wee Reese in The Best of Baseball. I used to use a Lou Brock card as a bookmark.

Like Popek, we sometimes find items in books returned to the library, but they are usually checkout receipts or library-produced bookmarks. Because these books were borrowed instead of owned, the readers were probably more careful to remove items from them. Still, we find a leather bookmark or a tassel every now and then. They go to our lost and found, if you are looking for one you are missing.

Popek, Michael. Forgotten Bookmarks: A Bookseller's Collection of Odd Things Lost Between the Pages. Perigee Book, 2011. 182p. ISBN 9780399537011.

Wednesday, February 01, 2012

First Family: Abigail and John Adams by Joseph J. Ellis

Long before Bill and Hillary or Barack and Michelle, couples who closely collaborate in politics and policy, there were John and Abigail. If you call them "the Adams family," as Joseph J. Ellis sometimes does in his dual biography First Family: Abigail and John Adams, I think of Gomez and Morticia (Addams, but you do not hear the extra d when listening to the audiobook), but if you say John and Abigail, I know just who you mean. Their relationship is one of the most celebrated in American history, thanks to their roles in the American Revolution and early republic and to the survival of their many letters. Many authors have mined those letters to write books. Ellis's work is a fine example of well-chosen pieces to tell how a serious farmer/lawyer and his wife from New England helped shape and lead a new nation.

Few couples write so many letters as did John and Abigail, but they were often apart for months and sometimes years, as John served as a delegate to the Colonial Congress that wrote the Declaration of Independence and the U.S. Constitution. He also travelled to Paris, Amsterdam, and London as a representative of the new republic, seeking aid and negotiating treaties. Meanwhile, Abigail raised their family and tended the farm, where she wrung the necks of chickens, split logs, and bought more land. In her letters, Abigail reported on the family business and advised John on the best ways to handle Benjamin Franklin, French aristocrats, British spies, rival Democratic Republicans, and his own cabinet.

With such good sources, Ellis probably found the book almost wrote itself (except it must have been difficult to pare down to under 300 pages). If you are like me, you'll find it compelling to read.

Ellis, Joseph J. First Family: Abigail and John Adams. Knopf, 2010. 299p. ISBN 9780307269621 or Books on Tape, 2010. 9 compact discs. ISBN 9780307737786.